Nordron

Nordron is a new Performer and Songwriter in the World of Nordic Art.

Inspired by the Early Middle Ages Viking Traditions and Music.

influences/music style:

- Nordic Folk

- Nordic Ritual Folk

- Viking Ambient

Teaser for upcoming Album - 2019

Damián Schneider

Damián Schneider is an independent composer of Celtic, Norse and Epic music, and lover of Celtic and Norse mythology.

Your music will transport you to those places of myths and legends and remember the Vikings and Celts in each era

MEMBERS:

Damián Schneider

SKÁLD - Vikings

SKÁLD is a unique project in music inspired by Nordic mythology. Developed over time by a group of enthusiasts, the project originated when producer-composer Christophe Voisin-Boisvinet encountered a trio of talented singers whose voices had atypical timbres. Together they decided to breathe new life into the poetry of the ancient skalds, whose ancient language – Old Norse – told stories of the Vikings and their gods.

In the early Middle Ages, the skalds of Scandinavian society were storytellers, poets and musicians. In the same way as the bards of the Celts, they sang the praises of their bloodlines, narrating the epic feats of heroes or the exploits of their Gods in times when the oral tradition was sovereign. 

Blending chanted narratives with rhythmical song — in a combination carried by music that often led to a state of trance — the skalds captivated their listeners with the power of the images they evoked. Skaldic poetry is extremely strong, with a rich vocabulary and often complex verses that confer a mysterious aura on the meaning, conferring the status of an initiate on the author of such works. It can also be noted that this narrative role was not reserved for men alone, as the names of several female skalds are known to us.

Alas, very little information exists as to the origins and function of these skalds. Were they heirs to the shamans, part-sorcerer and part-magician? Did they play a ritualistic or cultural role? Today, nobody can be certain.  Thanks to some unique documents, however — like the wonderfully poetic Edda, an anthology of poems we owe to the Icelander Snorri Sturluson — part of the Skaldic legacy has come down to us over the centuries. 

It is that legacy which the ambitious music project SKÁLD brings to life again today by immersing the listener in a rich, evocative soundscape created using a broad palette of instruments chosen specially for the occasion. Tribal percussion, with shamanic drums of varying sizes, are used to evoke martial strength and victory. Other smaller percussion — like bones taken from animals, or deer antlers — has particularly pagan inspiration, while the musicality of stringed instruments like the lyre, the talharpa, the citole played with a bow, the jouhikko, and the nyckelharpa or keyed harp, reveals the wealth of Scandinavia's culture. As for the omnipresent song, it carries all these aspects within it at the same time. 

And SKÁLD is above all a vocal project, carried by three singers who are specialists in the song techniques of the skalds, singing that has come down to us by means of the rare surviving accounts of the period. Making use of the full power of their voices and extraordinary tessituras, their songs, whether guttural or lyrical — yet always profound and organic — give birth to a multitude of strong, evocative images.

The group's repertoire takes its inspiration particularly from La Völuspá and Gylfaginning, both of which are contained in the poetic Edda. These texts, which Christophe Voisin-Boisvinet brought together especially for this project, before adapting them and setting them to music, deal with Scandinavian cosmogony as well as mythological episodes featuring the gods of Ásgard. The singers of the SKÁLD ensemble also bring the runic alphabet back to life, throwing light on the symbolic places of the Vikings' universe such as Valhalla or the nine kingdoms of Yggdrasill, and painting portraits of titanic confrontations between Ases and giants.

Justine Galmiche, Pierrick Valence and Mattjö Haussy all come from different worlds in music, although all share a mastery of vocal technique and perfect knowledge of Scandinavian cultures. All three play ancient instruments, and they have studied ancient languages or taken part in historical reconstitutions of the Viking era. For years they have been demonstrating that this universe, far from being a passing trend, is on the contrary a way of life to be practised daily.

All of this sends the listener back a thousand years, to raids led by Vikings and times when savagery rivalled with subtlety. 

Thanks to SKÁLD, you will board the famous langskips that accompanied explorers of the impossible on voyages to discover unknown lands; you will engage in awesome battles that ring with the clash of axes and swords as they strike the shields of warriors; you will dance in the midst of the Völur, the priestesses who foretell the future — and then, in a state of trance, you will cross the Bifröst on the back of Odin's horse as a guest invited to the banquets of Nordic gods.

SKÁLD — no ordinary music project — will plunge you into a distant tale, one that takes its source in a primeval age when the kings from the seas of the North caused empires to tremble... 

MEMBERS:

Justine Galmiche

Pierrick Valence

Mattjö Haussy

SKÁLD - VIKINGS CHANT (DEBUT ALBUM) Release date : January 18th 2019

Tracks:

1.Enn átti Loki fleiri börn

2.Rún

3.Valfreyjudrápa

4.Níu

5.Flúga

6.Gleipnir

7.Krákumál

8.Ó Valhalla

9.Ec man iötna   

10.Yggdrasill

11.Ódinn

12.Ginnunga

13.Jóga

Obscurus Orbis

Year 2007, august 8th, is bands original date of foundation. After many practice sessions and changes in bands formation, we finally formed in what you can see today.

Band members met travelling to various medieval themed events. We all desired to reconstruct a medieval atmosphere that comes with medieval music and sound of musical instruments of that time, that allows the listener to feel the full nature of this shadowy, medieval world and leads the audience with musicians, back in time, on the days when men were brave knights, women – beautiful princess and the earth was still flat.

Band uses the loudest bagpipes, rauschpfeifs, string instruments and various drums. Obscurus Orbis is also the only group in Latvia, which uses hurdy-gurdy. We have performed at the Hanseatic Day’s in Pärnu and Kaunas (Estonia and Lithuania), Festival-mediaval (Germany), medieval festivals in Norway and many other events in Latvia, Lithuania, Estonia, Finland and Romania.

MEMBERS:

Lord Mortis - bagpipes, flutes.

Veina - hurdy-gurdy, bagpipes, flutes, vocals.

Barbarian - kobza bass, vocals.

Serge - irish bouzouki, guitar.

Elina- drums

Obscurus Orbis - Discography

Secundum Artem 2015

Primus Inter Pares 2012

Barzonia

A Viking Folk band from Zuera (Aragón, Spain)

The Barzonia group, with its musical repertoire based on traditional bagpipes and percussions, recreates with its music and clothing the atmosphere of the viking raiders who, when seeing them, one imagines come from the northern countries, from far north its Zuera of origin. In 2014 he released his first album, El Asalto, and four years later, a new attack brings us his second album, Desembarco, in the purest folk-metal style or, as they define themselves, Viking-folk.

MEMBERS:

Victor (Tarota, fuego, sastre)

Miguel (Charrasco, fuego)

Juan (Percusion)

Jose (Tarota, Bajo)

Eugenia (Bombo)

Carlos (Dulzaina, Oratoria)

Anchel (Gaita, dulzaina, tarota, etc.)

Alberto (Gaita, dulzaina, adalid)

Ainhoa (Animacion, baile, P. percu)

Barzonia - Discography

Desembarco (2018)

El Asalto (2014) 

HUGSJÁ

After the success of their previous collaboration "Skuggsjá"; Ivar Bjørnson (Enslaved) and Einar Selvik (Wardruna) are now following up with an imposing new piece entitled "Hugsjá". The word 'Hugsjá' means to see with, or within, the mind - and it reflects the idea that one's mind has the potential to see further than the eyes can reach. By weaving together indigenous and contemporary thoughts, sounds and instruments, they are inviting you on a vivid journey - exploring the distant history and traditions along coastal Norway.

Hugsjá was first commissioned by, and performed at, Bergen International Festival in 2017, as part a series of concerts named Nordvegen ("the northern road"); inspired by local history and traditions in each of the places visited. Ultimately the material was recorded and became this full-length album.

MEMBERS:

Einar Selvik: Lead vocals, Kravik-lyre, Taglharpa, goat-horn, Bronze-lure, flute and percussion.

Ivar Bjørnson: Guitars and electronics.

Silje Solberg: Hardanger-fiddle and backing vocals.

Iver Sandøy: Drums, percussion and backing vocals.

Håkon Vinje: Backing vocals.

HUGSJÁ

Tracklist:

Hugsjá

WulthuR

Ni Døtre av Hav

Ni Mødre av Sol

Fornjot

Nattseglar

Nytt Land

Nordvegen

Utsyn

Oska

Um Heilage Fjell

 

Fferyllt

The story of the band with mysterious name “Fferyllt” is tracing its roots back to late autumn of 2003, when keyboarder Dmitry Eliseev began to think about creation of a musical project, which's main concept would be his native religion – Western-European Paganism. The path of it lies trough distant North, trough the traditions of Norsemen and Celts. Asatru and Druidism became main burdens in Diarmaid's songs. The first staff had gathered in spring of 2007, when Вю Eliseev together with guitarist Alexey Godlewsky start to work with the material and record first demos.

In May 2007-th female singer Yanina Zelenskaya, bassist Alexander Lebedev, vocalist Rustam Borzov, and guitarist Andrew Awdick had joined the staff.

After some gigs in such staff, the band begins recording of debut album called "Dance of Druids". The spirit of the album became authentic West-European instruments (bagpipe, flute, bodhran), as well as variations of celtic melodies. After signing of contract with the lable "Stygian Crypt Productions" in August, 2008, the band undergoes changes in staff. The bassist Alexander Lebedev, vocalist Rustam Borzov and guitarist Alexey Godlewsky had left the band. Soon after that, drummer Eugeny Martynov, guitarist George Tsedov, and bassist Sergey Gritsay had joined the staff.

On February 9-th, 2009, the band’s members’ most wishful event came true – Fferyllt’s debut album "Dance of Druids" was brought out on Stygian Crypt Prods. At the same time the band releases its first promo-video for the song “Yule”. Soon after the release, drummer E. Martynov and bassist S. Gritsay . A. Awdick and singer Y. Zelenskaya left the band.

In December 2009 two members – Alexander Lebedev and Alexey Godlewsky had returned into the band’s staff, and a new member, who had taken a part in songwriting for the debut album, Alexander “O’Kella” Davtyan, joined the staff again. On December 31-th, the band grants to its listeners an internet-single called “Thurisaz”.

In May 2010 Anastasia Ovcharenko had joined the band as a female singer.

The band gives a series of concerts. Krasnodar broadcaster NTK shoots a short-length documentary about the band. For this documentary Fferyllt had recorded 5 songs from their repertoire in “Studio Live” format.

In Autumn 2010 Anastasia leaves the band because of state of her health. Not long before A. Lebedev and A. Davtyan quited the staff. The bassist’s place was taken by Vladimir Poznyanskiy, and the frontman’s vacant seat – by Alexander Lopatin.

After productive three-months collaboration with the band as a guest musician, bassist Vladimir Poznyansky has joined the band.

MEMBERS:

Dmitriy Eliseev - keyboard;

Alexey Godlewskiy - guitar;

Ekaterina Godlewskaya - vocal;

Pavel Tuniy - bass;

Alexey Pushkin - guitar;

Michael Chikviladze - vocals

Fferyllt  - Discography

Achanterez (2015)

A Celtic Tale - Studio Live at NTK (2013)

Proritsanie (The Prediction) (2012)

Dance of Druids (2012)

Thurisaz EP (2009)

A Celtic Tale (Demo) (2006)

An Danzza

Here is a great recommendation of an album that came out in December 2017 from the band An Danzza without a doubt a great album full of Folk, Celtic Folk that will brighten the day with its melodies and accompanied by a good wine

Andrés Campuzano's first compositions, recorded, arranged and produced 15 years later. Finally it sees the light in Yule 2017. This extended play consists of a single song of 30 minutes duration. This time the style is Celtic fusion, with an unbridled, crazy and cheerful touch.

An Danzza - The Spooky Circle Ep (2017)

Tracking list :

1. The Spooky Circle

I leave the links where you can buy this album:

Download - https://store.cdbaby.com/cd/andanzza11

Streaming Spotify  - https://goo.gl/BxmgAx

ITunes - https://itunes.apple.com/es/album/the-spooky-circle/1322633965

Pimeä Metsä

The musical project Pimeä Metsä (“Dark Forest” in Finnish) begins in Madrid, on a 2006 December’s night. Surrounded by beer and friends, the idea of founding a northern Viking/folk metal band grew up strongly. On February 2007, David (guitar), Juan (bass) and Miguel (keyboard) started playing and composing our first pieces. As thrill and expectations grew up, we felt it was time to look for new colleagues to share our exciting adventure. While we try to find new members, Juan had to leave the band due to his studies. During those months, Pimeä Metsä was lucky to have met great musicians and friends like Vladimir, Dima, Ernesto or Antonio (bass players), Alex (vocalist) or Domingo and Laura (drummers). The current line-up starts working on July 2008, when Ángel arrived to the band as singer. The same year, in autumn, Hugo and Pablo joined Pimeä Metsä crew to take charge of lead guitar and drums, respectively. Finally, at the end of 2009, Juanto started playing his role at the bass. And the clan of the dark forest was completed.

During this first period of changes and searching, the founding members of Pimeä Metsä didn’t waste time. We improved our musical skills, composing new songs and arranged the previous ones. Then, with newest incorporations playing their role, the band made its debut on 23rd January 2009 in Silikona (Madrid) for more than 170 people. Along this year, Pimeä Metsä gave other shows with Ernesto and Antonio (a good friend of David and Miguel) as live bass players. Finally, Juanto was brought in as resident bass player and gave his first show with them in Sala Live (Madrid). Our energetic shows and surprising staging gave us a good growing reputation.

After several weeks of hard working, gigs and rivers of beer, the clan decided to record a demo CD. So then, “Beneath the northern lights” appears as home-made demo on February 2010 (with a little help of Dani from Canalla Records making the final mix). Thanks to this, the name of the band began to sound strongly throughout the media, getting good critics of the demo and giving the chance of sharing stage with big bands like Kathaarsys (May 2011), Arkona (June 2011, in their first visit to Spain), Korpiklaani and Trollfest (April 2012) or Northland and Ravenblood (January 2013).

With a name that was known increasingly and the support of our families, friends, and fans, we decided that the time had come to record our first self-produced album at New Life Studios, in Madrid. Previous weeks of homeworking and hours of practice finished on March, 4th of 2013 with the first drums recording sessions at the studio. José Garrido and Daniel Melián are co-producers and recording engineers and the mixing will be done by Mika Jussila at Finnvox Studios. After some months of huge working, “Legacy of the Heathen North” was released as our first studio album, offering a high quality jump in production and a musical and compositional evolution.

We continuing growing up as a clan, a family, to show the world the heathen spirit of the ancient gods is still alive. Welcome to the dark forest… welcome to Pimeä Metsä. See you soon at our gigs. Until then… KEEP ON VIKING!!!

MEMBERS:

David Chas (guitarra rítmica)

Miguel Morón (teclado, acordeón)

Hugo Pérez (guitarra solista)

Pablo S. Carmona (batería) 

Juanto Viana (bajo)

Ángel "Enkeli" Flores (voz, bodhram, arpa de boca)

Pimeä Metsä  - Discography

No Blood No Glory 82016)

Legacy of the Heathen North (2013)

Beneath the Northern Lights EP (2010)

Siren and the Selkies

Siren and the Selkies is the music of Elizabeth J Matson arranged by members Elizabeth J Matson(Vocals, Keyboards), Rob Cubillos (Guitar), Dario Griffin (Bass) and Kelly McGovern (Drums). Siren and the Selkies' songs are inspired by the people Elizabeth has known, the Rider-Waite tarot deck, mythology, astrology, and personal experience.

Musical Influences include Dio, Rush, Ghost, Dream Theater, Katatonia, Opeth, Carole King, Joni Mitchell, Elton John, and Jess and the Ancient Ones

Members:

Elizabeth J Matson, 

Kelly McGovern, 

Dario Griffin, 

Rob Cubillos

Theodor Bastard

The history of the band goes from the late 1990’s. The band works between genres that can be defined as world music, darkwave and trip-hop. The trademark of the band is the unique voice of Yana Veva and unemployable sound-producing by Fedor Svolotch.

Yana Veva has a rare vocal timbre and she uses a special vocal technique that refers to Arabic and Indian vocal tradition. Besides singing in THEODOR BASTARD Yana recorded an album with Stefan Hertrich (Darkseed, Betray my secrets) “Nour” in which all vocals were sung by Yana.

In 2004 the most famous album by THEODOR BASTARD “Pustota” was released by four labels: Fulldozer (Russia), Pandaimonium (Germany), Muzikal Yapim (Turkey), Art records (Mexico).

To support the album THEODOR BASTARD went on tour around Russia, Belgium, Germany and visited several festivals in Europe and Russia. Live performance is the strongest aspect of THEODOR BASTARD (totally there’ve been more than 300 concerts in band’s history). There are six musicians in the band who use plenty of electronic devices and special acoustic instruments like various ethnic percussions, kazu, saz and others.

As a result of that tour the band recorded a live album of previously unreleased songs – “Sueta” appeared in the end of 2006.

After that THEODOR BASTARD recorded an album “Beloe” which has two versions – one is experimental electronic and the other is rhythmic world music. “Beloe” reflected Fedor and Yana’s ardour for the Slavic mythology and Russian folk. This album was released by two labels: Q-Code Records (Russia) and Twilight Records (Argentina).

Apart of recording their albums, THEODOR BASTARD are always keeping in touch with musicians from other countries: collaboration with Martin Attkins from Pigface who released a track by THEODOR BASTARD at his label Invisible/Underground Inc.; with Peter Christopherson of Coil – the band recorded a version of “Love’s Secret Domain”; with Ethan Jordan, American saxophonist, playing live together in Brussel; and also THEODOR BASTARD was the support band for the Nine Inch Nails gig in St.Petersburg, August 2007.

Plenty of magazines wrote about the band, among them “Rolling stone”, “Time Out” and such European magazines as “Zillo”, “Orcus” and “Sonic seducer”. Songs by THEODOR BASTARD were on air of Austrian radio “FM 4″. THEODOR BASTARD music was used by Brazilian film director Gustavo Santos, and it was presented at San Paolo film festival.

The last single “Tapaсhula” has shown new interests of the band: the culture of Mesoamerica and rhythms of Africa. But along with that, along with breaking stylistic and conceptual limits, THEODOR BASTARD has always been true to themselves and known for their sound and approach.

In June 2011 the band successfully performed at the largest German festival WGT in Leipzig. The concert took place on one of the main stages of the festival, in Central Theater of Leipzig. Also, during the tour, the band gave solo concerts in Poland and Lithuania.

Recently, in November 2011 the release of “Remixed” on CD – the collection of remixes of THEODOR BASTARD’s songs – has taken place. Such artists from all over Europe as Neotropic, Animals on Wheels, Up,Bustle&Out (all three of them has signed on the label Ninja Tune), Scanner, State of Bengal, Geomatic, Flint Glass, and others took part in the work on the collection.

During all the fall and winter of 2011 THEODOR BASTARD are occupied with the recording of the new album which, as the musicians themselves admit, has become the most complicated and tedious in their career. The musicians had recorded the material in several studios at the same time. Many invited guests took part in the recording. On the album one can hear such instruments as udo, mbira, marimba, reco-reco, caxixi, ashiko, and spring drum. Fedor also used the instruments that he had invented and contrived with his own hand of improvised material such as coconuts, door springs, empty bottles, and plastic. The album will be the most lively and diverse in its contents in the entire history of the band. Also famous British band Fun-Da-Mental (in the collaboration with the Africans The Mighty Zulu Nation) and unique French singer Julien Jacob took part in the recording of the compositions for the album.

In February 2012 the main representatives of world music in Russia THEODOR BASTARD, after a break that lasted a year and a half, have returned on stage with the presentations of the new album “Oikoumene” in Russia and abroad. Concerts in Moscow and Saint Petersburg were sold out.

In May 2015, Theodor Bastard released the album Vetvi. Its name is a Latin transliteration of the Russian word for branches bearing in mind the branches of the World tree. The work on this album took three years. On the album we can hear many guest artists: Buryat singer Namgar Lhasaranova from the band Namgar, multi-instrumentalist Phillip Barsky (harp and cimbalom), Olga Glazova (she plays the world’s largest gusli), Chamber choir Lauda, vocalist Alexander Platonov (Ensemble of Ancient Peasant Music), Gulya Naumova (violin), Natalia Nazarova (cello). Russian horn, traditional Mongol violin morin khuur, ritual tibetan horn dungchen, ancient Russian gusli, cajón, jew’s harp, dulcimer (a species of zither) – this is incomplete list of instruments. This album is characterized by special atmosphere of northern dawn.

Members:

Fedor Svolotch - guitar, keyboard, programming

Yana Veva - vocal, flutes

Kusas - percussion

Andy Vladych - drums, percussion 

Alexey Kalinovskiy - keyboard

Theodor Bastard - Discography

Ветви (2015)

Пустота 2014 ремастер (2014)

Music for the empty spaces (2012)

Oikoumene (2012)

Remixed (2011)

Белое: Предчувствия и Сны (2009)

Белое: Ловля Злых Зверей (2008)

Суета (2008)

Пустота (2004)

Агорафобия (2000)

La Maisnie Hellequin - Eissil (2017)

Today I bring you this great debut album of this band from Belgium, certainly a great disc highly recommended

La Maisnie Hellequin - Eissil (2017)

Tracking list :

01 : Prologue 1:06 

02 : Chibulsky 2:26 

03 : Stella Splendens 2:10 

04 : Hellequin 5:06 

05 : Pelerinage 3:15 

06 : Sentele des Lous 3:07 

07 : Icelle Dame 3:52 

08 : Sordits et Maledisances 3:02 

09 : Eissil 5:50 

10 : Interlude 1:10 

11 : Haste de Maffle 2:17 

12 : Dark Crystal 3:14 

13 : Querolle 4:46 

14 : Altaï 5:58 

15 : Epilogue 1:10

Album Eissil avalaible now at 

http://lamaisniehellequin.bigcartel.com/

www.maisnie-hellequin.be

Contact : info@maisnie-hellequin.be

Virelai

Virelai is based in Denmark and plays music from the middle ages and from the Danish folk tradition. The repertoire includes dancing melodies from the south of Europe as well as old Nordic ballads and songs.

Through the Nordic ballads and Central Europe dance tunes we work with the Nordic and European music roots, the popular medieval. And the experience of the music compositions and sound, played on old instruments, awakens something recognizable to people, something we have in common.

Virelai was founded in 1999 .We took the name Virelai, an Old French name for the beauty of music, dance and poetry. Virelai has in years past been stuck looking at this summer's medieval markets in Odense, Horsens, Enø and Bornholm, where we have helped to deliver the soundtrack to the authentic medieval atmosphere that has been created here. We are also the house band at Brøndby Medieval Center. Over 200 concerts in museums, festivals, venues, schools and medieval markets in Denmark, Sweden and Central Europe it has become.

Band members:

Mia Guldhammer -Sang, tambourine og percussion

Søren Hammerlund - Drejelire, mandola og sang

Martin Seeberg - Skalmeje, fløjter, jødeharper, bratch, percussion og sang

Jacob Lund - Davul, rammetromme, darbourka, tambourin

VIRELAI - Discography

I danser vel (2013)

Fra Bølger og bjerge (2011)

Havmandens kys (2006)

Danser duggen af jorden (2002)

Middelaldermusik (2000)

Asynje

Experience an ambiance of Old Norse music, with five experienced musicians from the Danish music scene in the electronic folk project "Asynje".

Inspired by Scandinavian folk music, deep forests and ancient times, Asynje creates beautiful soundscapes and energetic dance numbers. It's the sound of mulch and Nordic urtone created with rarely seen instruments blend with contemporary electronic samples and Nanna Barslevs enchanting voice.

The lyrics are inspired by pagan roots and some lyrics are taken from nordic mythology and old wich spells.

Band members:

Nanna Barslev - vocal and lyrics, davul, bodhran 

Nanna is also singer in Gny og Huldre.

Martin Seeberg - bratsch, violin, flutes, lyre, jawsharp, percussion etc.

Martin also plays in Sorten Muld, Instinkt, Virelai and former member of Valravn.

Søren Hammerlund - hurdy gurdy, mandola, nyckleharpa, elektronics.

Søren also plays in Virelai and is a former member of Valravn.

Troels Dueholm - flutes, skalmeje, hurdy gurdy, bouzouki.

Troels is also a member of Huldre og Lurpakket

Jacob Lund - percussion

Jacob also plays in Virelai and Huldre

Former member - Mads Kjøller Henningsen - hurdy gurdy, flutes, bouzouki mm

asynje - Discography

Galdr (2015)

Færd (2014)

Genkaldt (2011)

Songleikr

Songleikr is a Norwegian/Danish project based on many years of jamming traditional, Nordic folk music in the "Viking scene" all over Europe.

Line-up:

Ingrid Galadriel, NO

Christopher Juul, DK,

Maria Franz NO

Songleikr - Godtfolk

Tracklist:

1.Jenta Ho Gjekk Seg 02:46

2.Ravnene 03:22

3.Herr Ole 04:39

4.Friar Fra Nord 03:23

5.Vinda 02:40

6.Snåle Mi Jente 02:08

7.Hei Skål 02:22

8.Mann Og Mening 03:54

9.Min Pipa 03:16