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New England’s +1476+ creates dark, atmospheric, album-oriented music that draws upon elements of many genres including metal, punk, neofolk, and ambient. They harbor an energy & mood that reflects the environment of the old, haunting landscapes of New England’s coastal regions as well as their spiritual/philosophical interests and practices. As a two-piece, they are completely self-contained — writing, recording, and releasing their albums & EPs through their own imprint and studio, Seraphim House. As of 2016, +1476+ has the honor of working with Germany’s Prophecy Productions.
The intent of +1476+ is to always follow their instincts, reinventing themselves with each release on their own terms.
Almara is
an international early music ensemble, founded by Elisabeth Pawelke during her
studies at the Schola Cantorum in Basel. The musical focus of the ensemble is
to the secular repertoire of the Middle Ages and the Renaissance, with which
the musicians sat down intensively and they awaken with great enthusiasm and
virtuosity to life.
The
musicians studied at the music academies in Milan, Basel, The Hague and New
York and worked with renowned ensembles and orchestras early music together
such. B. Cantus Firmus, La Scintilla, EST !, Phoenix Ensemble, Estampie and the
Venice Baroque Orchestra. 2009, the first CD entitled "Outros Amores"
was published, the topic deals with the various aspects of love and devotion in
the Middle Ages, which are reflected in a poetic way in the medieval
compositions.
Line-up:
Elisabeth
Pawelke - Vocals, harp, hurdy-gurdy
Emanuele
Forni - Different sounds
Sabine
Kreutzberger - Fidel, viol
Sascha gotowtschikow
- Percussion
Takayoshi sasano
- harp
Birgit
Muggenthaler-Schmack - Bagpipes, flutes
On the
debut album of Almara - "Outros Amores" unite medieval chansons of
the French poet-composer Guillaume de Machaut, galizisch- Portuguese Cantigas
and traditional Sephardic Romances with Spanish music and poetry of the
Renaissance, such as with a Villancico of Luis de Narváez. About all these
pieces, however, hovers the theme of love and devotion in the Middle Ages and
the Renaissance, which reveals itself in its various aspects, such as hope,
religious devotion, fulfillment or disappointment and is reflected also in the
title "outros amores".
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